Tuesday, January 31, 2012
Monday, January 30, 2012
KEY TO ASTRAL COLOR
RED
Red represents the physical phase of mentality. That is to say, it
stands for that part of the mental activities which are concerned with
physical life. It is manifested by the vitality of the body, and in
other hues, tints and shades, is manifested by passions, anger,
physical cravings, etc. I shall describe the various forms of Red
manifestation, a little later on.
BLUE
Blue represents the religious, or spiritual, phase of mentality.
That is to say, it stands for that part of the mental activities which
are concerned with high ideals, altruism, devotion, reverence,
veneration, etc. It is manifested, in its various hues, tints, and
shades, by all forms of religious feeling and emotion, high and low, as
we shall see as we proceed.
YELLOW
Yellow represents the intellectual phase of mentality. That is to
say, it stands for that part of the mental activities which are
concerned with reasoning, analysis, judgment, logical processes,
induction, deduction, synthesis, etc. In its various hues, tints and
shades, it is manifested by the various forms of intellectual activity,
high and low, as we shall see as we proceed.
WHITE
White stands for what occultists know as Pure Spirit, which is a
very different thing from the religious emotion of “spirituality,” and
which really is the essence of the ALL that really is. Pure Spirit is
the positive pole of Being. We shall see the part played by it in the
astral colors, as we proceed.
Black stands for the negative pole of Being—the very negation of Pure Spirit, and opposing it in every way. We shall see the part played by it in the astral colors as we proceed.
The various combinations of the three Astral Primary Colors are
formed in connection with Black and White as well as by the blending of
the three themselves. These combinations, of course, result from the
shades of mental and emotional activity manifested by the
individuality, of which they are the reflection and the key.
The combinations and blending of the astral colors, however, are
numberless, and present an almost infinite variety. Not only is the
blending caused by the mixing of the colors themselves, in connection
with black and white, but in many cases the body of one color is found
to be streaked, striped, dotted or clouded by other colors. At times
there is perceived the mixture of two antagonistic color streams
fighting against each other before blending. Again we see the effect of
one color neutralizing another.
In some cases great black clouds obscure the bright colors beneath,
and then darken the fierce glow of color, just as is often witnessed in
the case of a physical conflagration. Again, we find great flashes of
bright yellow, or red, flaring across the field of the aura, showing
agitation or the conflict of intellect and passion.
The average student, who has not developed the astral vision, is
inclined to imagine that the astral colors in the human aura present
the appearance of an egg−shaped rainbow, or spectrum, or something of
that sort. But this is a great mistake. In the first place, the astral
colors are seldom at rest, for all mental and emotional activity is the
result of vibration, change, and rhythmic motion. Consequently, the
colors of the aura present a kaleidoscopic appearance, of constant
change of color, shape and grouping—a great electrical display, so to
speak, constantly shifting, changing, and blending.
Great tongues of flame like emanations project themselves beyond the
border of the aura, under strong feeling or excitement, and great
vibratory whirls and swirls are manifested. The sight is most
fascinating, although somewhat terrifying at first. Nature is wise in
bestowing the gift of astral vision only gradually and by almost
imperceptible stages of advance. There are many unpleasant, as well as
pleasant, sights on the Astral Plane.
SWAMI PANCHADASI
WHAT IS HUMAN AURA?
The above question is frequently
asked the student of occultism by someone who has heard the term but
who is unfamiliar with its meaning. Simple as the question may seem, it
is by no means easy to answer it, plainly and clearly in a few words,
unless the hearer already has a general acquaintance with the subject
of occult science. Let us commence at the beginning, and consider the
question from the point of view of the person who has just heard the
term for the first time.
The dictionaries define the word aura as: “Any subtle, invisible emanation or exhalation.” The
English authorities, as a rule, attribute the origin of the word to a
Latin term meaning “air,” but the Hindu authorities insist that it had
its origin in the Sanskrit root Ar, meaning the spoke of a wheel, the
significance being perceived when we remember the fact that the human
aura radiates from the body of the individual in a manner similar to the
radiation of the spokes of a wheel from the hub thereof.
The Sanskrit origin of the term is the one preferred by occultists,
although it will be seen that the idea of an aerial emanation,
indicated by the Latin root, is not foreign to the real significance of
the term. Be the real origin of the term what it may, the idea of the
human aura is one upon which all occultists are in full agreement and
harmony, and the mention of which is found in all works upon the
general subject of occultism. So we shall begin by a consideration of
the main conception thereof, as held by all advanced occultists,
ancient and modern, omitting little points of theoretical variance
between the different schools. Briefly, then, the human aura may be
described as a fine, ethereal radiation or emanation surrounding each
and every living human being. It extends from two to three feet, in all
directions, from the body. It assumes an oval shape—a great egg−shaped
nebula surrounding the body on all sides for a distance of two or
three feet. This aura is sometimes referred to, in ordinary
terms, as the “psychic atmosphere” of a person, or as his “magnetic
atmosphere.”
This atmosphere or aura is apparent to a large percentage of persons
in the sense of the psychic awareness generally called “feeling,”
though the term is not a clear one. The majority of persons are more or
less aware of that subtle something about the personality of others,
which can be sensed or felt in a clear though unusual way when the
other persons are nearby, even though they may be out of the range of
the vision. Being outside of the ordinary range of the five senses, we
are apt to feel that there is something queer or uncanny about these
feelings of projected personality. But every person, deep in his heart,
knows them to be realities and admits their effect upon his
impressions regarding the persons from whom they emanate. Even small
children, infants even, perceive this influence, and respond to it in
the matter of likes and dislikes. But, human testimony regarding the
existence and character of the human aura does not stop with the
reports of the psychic senses to which we have just referred. There are
many individuals of the race—a far greater percentage than is
generally imagined—who have the gift of psychic sight more or less
developed.
Many persons have quite a well−developed power of this kind, who do
not mention it to their acquaintances for fear of ridicule, or of being
thought “queer.” In addition to these persons, there are here and
there to be found well−developed, clear−sighted, or truly clairvoyant
persons, whose powers of psychic perception are as highly developed as
are the ordinary senses of the average individual. And, the reports of
these persons, far apart in time and space though they may be, have
always agreed on the main points of psychic phenomena, particularly in
regards to the human aura.
To the highly developed clairvoyant vision, every human being is
seen as surrounded by the egg−shaped aura of two or three feet in
depth, more dense and thick in the portion nearest the body, and then
gradually becoming more tenuous, thin and indistinct as the distance
from the body is increased. By the psychic perception, the aura is seen
as a luminous cloud—a phosphorescent flame—deep and dense around the
centre and then gradually shading into indistinctness toward the edges.
As a matter of fact, as all developed occultists know, the aura really
extends very much further than even the best clairvoyant vision can
perceive it, and its psychic influence is perceptible at quite a
distance in many cases. In this respect it is like any flame on the
physical plane—it gradually fades into indistinctness, its rays
persisting far beyond the reach of the vision, as may be proved by means
of chemical apparatus, etc.
To the highly developed clairvoyant vision, the human aura is seen
to be composed of all the colors of the spectrum, the combinations of
colors differing in various persons, and constantly shifting in the
case of every person. These colors reflect the mental (particularly the
emotional) states of the person in whose aura they are manifested.
Each mental state has its own particular combination formed from the
few elementary colors which represent the elementary mental conditions.
As the mind is ever shifting and changing its states, it follows that
there will ever be a corresponding series of shifting changes in the
colors of the human aura.
The shades and colors of the aura present an ever changing
kaleidoscopic spectacle, of wonderful beauty and most interesting
character. The trained occultist is able to read the character of any
person, as well as the nature of his passing thoughts and feelings, by
simply studying the shifting colors of his aura. To the developed
occultist the mind and character become as an open book, to be studied
carefully and intelligently.
Even the student of occultism, who has not been able to develop the
clairvoyant vision to such a high degree, is soon able to develop the
sense of psychic perception whereby he is able to at least “feel” the
vibrations of the aura, though he may not see the colors, and thus be
able to interpret the mental states which have caused them. The
principle is of course the same, as the colors are but the outward
appearance of the vibrations themselves, just as the ordinary colors on
the physical plane are merely the outward manifestation of vibration of
matter.
But it must not be supposed that the human aura is always perceived
in the appearance of a luminous cloud of ever−changing color. When we
say that such is its characteristic appearance, we mean it in the same
sense that we describe the ocean as a calm, deep body of greenish
waters. We know, however, that at times the ocean presents no such
appearance, but, instead, is seen as rising in great mountainous waves,
white capped, and threatening the tiny vessels of men with its power.
Or again, we may define the word “flame” in the sense of a steady
bright stream of burning gas, whereas, we know only too well, that the
word also indicates the great hot tongues of fiery force that stream out
from the windows of a burning building, and lick to destruction all
with which it comes in contact.
So it is with the human aura. At times it may be seen as a
beautiful, calm, luminous atmosphere, presenting the appearance of a
great opal under the rays of the sun. Again, it blazes like the flames
of a great furnace, shooting forth great tongues of fire in this
direction and that, rising and falling in great waves of emotional
excitement, or passion, or perhaps whirling like a great fiery
maelstrom toward its centre, or swirling in an outward movement away
from its centre. Again it may be seen as projecting from its depths
smaller bodies or centres of mental vibration, which like sparks from a
furnace detach themselves from the parent flame, and travel far away
in other directions—these are the projected thought−forms of which all
occultists are fond of speaking and which make plain many strange
psychic occurrences.
So, it will be seen, the human aura is a very important and
interesting phase of the personality of every individual. The psychic
phase of man is as much the man himself as is the physical phase—the
complete man being made up of the two phases. Man invisible is as much
the real man as is man visible. As the finer forms of nature are always
the most powerful, so is the psychic man more potent than the physical
man.
The human aura, and its colors, as being perceived by astral or
clairvoyant vision, for this is the way in which it is perceived and
studied by the occultist. The occult teaching is that, in the evolution
of the race, this astral vision will eventually become the common
property of every human being—it so exists even now, and needs only
development to perfect it.
But modern physical science is today offering corroborative proof
(though the same is not needed by the occultist who has the astral
vision) to the general public, of the existence of the human aura. In
Europe, especially, a number of scientists have written on the subject
of the aura, and have described the result of the experiments in which
the aura has been perceived, and even photographed, by means of
fluorescent screens, such as are used in taking X−Ray photographs, etc.
Leading authorities in England, France, and still more recently, in
Germany, have reported the discovery of a nebulous, hazy, radio−active
energy or substance, around the body of human beings. In short, they now
claim that every human being is radio−active, and that the auric
radiation may be registered and perceived by means of a screen composed
of certain fluorescent material, interposed between the eye of the
observer, and the person observed.
This aura, so discovered by the scientists, is called by
them the “human atmosphere,” and is classified by them as similar to
the radiations of other radio−active substances, radium, for instance. They
have failed to discover color in this atmosphere, however, and know
nothing, apparently, of the relation between auric colors and mental
and emotional states, which are so familiar to every advanced
occultist. I mention this fact merely as a matter of general interest
and information to the student, and not as indicating, even in the
slightest degree, any idea on my part that the old occult teaching, and
the observed phenomena accompanying the same, regarding the human
aura, require any proof or backing up on the part of material
scientists. On the contrary, I feel that material science should feel
flattered by the backing up by occult science of the new discovery of
the “human atmosphere.” A little later on, material science may also
discover the auric colors, and announce the same to the wondering
world, as a new truth.
------------------
SWAMI PANCHADASI
THE HUMAN AURA Astral Colors and Thought Forms
Sunday, January 29, 2012
INFINITO DIOS HINDI BINYAGAN / APAT NA EVANGELISTA
 |
| INFINITO DIOS HINDI BINYAGAN / APAT NA EVANGELISTA |
MGA MITO NG DIOS INA ANIMASOLA SA PANAHON NG DIOS AMA FOOC AT ANG PAGPAPLANO NG PANAHON NG DIOS ANAK
Ganito
ang pagpapakilala ng Dios (isang babae) sa mito: Ako ang Tangi’t Una
(Animasola), ang pinagmulan ng may hawak ng liwanag at ng dilim na
liliwanagan. Ibig sabihin: siya, ang Dios na Liwanag, at ang Walang
Hanggang Dios (o Infinito Dios) ay iisa. “Amuman" ang ngalang nakasulat
sa kanyang balabal. Siya ang una sa Pitong birhen (sa mito, ang unang nilalang ay pitong birhen na ang isa'y si Animasola o Amuman).
Lumalang si Amuman ng bulaklak na may tatlong persona: sina Magugab, Mariagob, at Magob. Ipinasok ang bulaklak sa loob ng kristal, at ipinasok ang kristal sa isang gintong kaban. Pinabantayan ito sa pitong arkanghel na kanya ring nilikha.
Lumikha ang ikatlong nuno (isa sa mga birhen) ng tatlong banal na espiritu. Ang ikaapat ay lumikha rin ng tatlo at gayon din ang ginawa ng ikalima.
Nagtangka ring lumikha ang dalawampu't apat na espiritu. Nagsalita ang Dios na anyong mata at nagpakilala: “Ako ay mata, ako ang Dios ninyo, at aka ang espiritung tunay ng kaliwanagan; ako ang alaala, bait, loob." Lumalabas sa kuwentong ito na ang tinig ay mas mataas sa Amuman at Siete Virgenes.
Ang dalawampu't apat na espiritu o matatanda ay pinagkaisahan naman ang Birhen na lumabas sa kristal na ipinasok sa kaban. Ang birhen ay ang bulaklak na walang iba kundi si Maria sa langit, sa lupa, at sa himpapawid. Naniniwala sa tatlong Mariang ito ang mga samahang Ciudad Mistica de Dios, Tatlong Persona Solo Dios at Bathalismo, Inang Mahiwaga. Sa ibang pakahulugan, ang tatlong Birhen: Ina nag-uusap at lumalalang ay siya ring Tatlong Persona o Santisima Trinidad.
Sa kalagitnaan ng mito, magpapakilala ang tinig bilang Dios Fooc, na sa paniniwala ng siete virgenes ay kanilang pinagmulan. Batid rin nila na ang tinig na ito ang naghahawak ng lahat ng kapangyarihan. Ayon sa Dios Fooc, siya ay "Mula sa walang pinagmulan at hanggang sa walang hanggan. "Samakatwid, siya rin ang Infinito Dios o Dios na Walang Hanggan. Pinakamakapangyarihan man siya sa lahat at walang kapantay, binigyan pa rin niya ng kalayaan ang nunong babae na lumikha. Nilikha nito, bukod sa mga espiritu, ang Sator o apat na arkanghel na umaalalay sa apat na sulok ng mundo.
Matapos lumikha ng mabubuting espiritu na paris nila ang tatlong nunong babae (sina Helnag, Amuman at Hemspag), binalak nila, kasama ng Dios Fooc, ang pagbaba ng Santisima Trinidad Helnag upang magkatawang tao. Si Helnag ay ikalawang Persona ng unang nunong babae, si Amuman. Nilikha rin ng tatlo si Luxbel, ang magdudulot ng pasakit na pagtitiisan ng ikalawang persona. Naisip din ng tatlo ang gagawing Ina ng Anak ng Dios na magkakatawang-tao, pati na ang lalaking magpapasan ng krus ng kamatayan. Inisip na rin nila ang kanyang pangalan" Ayon sa Dios Fooc, nalikha na niyang lahat ito. Nilikha naman ng tatlong H.A.H. ang hahatol sa Anak ng Dios na si Pilato. Sinabi ng Dios Fooc na siya na rin ang gawing katawan ng Ina na sasakop sa taong makasalanan. Sa gayon, ang Kristong Tagapagligtasa, ng Dios Fooc, at ang ikalawang Persona na si Helnag ay iisa. Nilikha na rin ang Apat na Pako ng H.A.H. na lingid sa kanila'y nalikha na ng Dios Fooc. Ang Ikalimang Pako ay nilikha naman ng ikalimang Nuno sa pamamagitan ng oracion. Ipinadala na rin ang mga salita sa Rotulo kay Pilato. Ang mga salita ay INRI - ang kahulugan ay pangalan ng Anak na babae ng Dios. Sa kabilang dako, niiikha naman ng H.A.H. ang krus ni Kristo pati na ang dalawang taong magpapako. Ang dalawang taong ito ay pinapasok muna sa loob ng bato hanggang sa dumating ang takdang panahon at araw na sila'y dapat lumabas upang gampanan ang kanilang papel.
__________________________
Source:
ANTING - ANTING, Nenita Pambid
Lumalang si Amuman ng bulaklak na may tatlong persona: sina Magugab, Mariagob, at Magob. Ipinasok ang bulaklak sa loob ng kristal, at ipinasok ang kristal sa isang gintong kaban. Pinabantayan ito sa pitong arkanghel na kanya ring nilikha.
Lumikha ang ikatlong nuno (isa sa mga birhen) ng tatlong banal na espiritu. Ang ikaapat ay lumikha rin ng tatlo at gayon din ang ginawa ng ikalima.
Nagtangka ring lumikha ang dalawampu't apat na espiritu. Nagsalita ang Dios na anyong mata at nagpakilala: “Ako ay mata, ako ang Dios ninyo, at aka ang espiritung tunay ng kaliwanagan; ako ang alaala, bait, loob." Lumalabas sa kuwentong ito na ang tinig ay mas mataas sa Amuman at Siete Virgenes.
Ang dalawampu't apat na espiritu o matatanda ay pinagkaisahan naman ang Birhen na lumabas sa kristal na ipinasok sa kaban. Ang birhen ay ang bulaklak na walang iba kundi si Maria sa langit, sa lupa, at sa himpapawid. Naniniwala sa tatlong Mariang ito ang mga samahang Ciudad Mistica de Dios, Tatlong Persona Solo Dios at Bathalismo, Inang Mahiwaga. Sa ibang pakahulugan, ang tatlong Birhen: Ina nag-uusap at lumalalang ay siya ring Tatlong Persona o Santisima Trinidad.
Sa kalagitnaan ng mito, magpapakilala ang tinig bilang Dios Fooc, na sa paniniwala ng siete virgenes ay kanilang pinagmulan. Batid rin nila na ang tinig na ito ang naghahawak ng lahat ng kapangyarihan. Ayon sa Dios Fooc, siya ay "Mula sa walang pinagmulan at hanggang sa walang hanggan. "Samakatwid, siya rin ang Infinito Dios o Dios na Walang Hanggan. Pinakamakapangyarihan man siya sa lahat at walang kapantay, binigyan pa rin niya ng kalayaan ang nunong babae na lumikha. Nilikha nito, bukod sa mga espiritu, ang Sator o apat na arkanghel na umaalalay sa apat na sulok ng mundo.
Matapos lumikha ng mabubuting espiritu na paris nila ang tatlong nunong babae (sina Helnag, Amuman at Hemspag), binalak nila, kasama ng Dios Fooc, ang pagbaba ng Santisima Trinidad Helnag upang magkatawang tao. Si Helnag ay ikalawang Persona ng unang nunong babae, si Amuman. Nilikha rin ng tatlo si Luxbel, ang magdudulot ng pasakit na pagtitiisan ng ikalawang persona. Naisip din ng tatlo ang gagawing Ina ng Anak ng Dios na magkakatawang-tao, pati na ang lalaking magpapasan ng krus ng kamatayan. Inisip na rin nila ang kanyang pangalan" Ayon sa Dios Fooc, nalikha na niyang lahat ito. Nilikha naman ng tatlong H.A.H. ang hahatol sa Anak ng Dios na si Pilato. Sinabi ng Dios Fooc na siya na rin ang gawing katawan ng Ina na sasakop sa taong makasalanan. Sa gayon, ang Kristong Tagapagligtasa, ng Dios Fooc, at ang ikalawang Persona na si Helnag ay iisa. Nilikha na rin ang Apat na Pako ng H.A.H. na lingid sa kanila'y nalikha na ng Dios Fooc. Ang Ikalimang Pako ay nilikha naman ng ikalimang Nuno sa pamamagitan ng oracion. Ipinadala na rin ang mga salita sa Rotulo kay Pilato. Ang mga salita ay INRI - ang kahulugan ay pangalan ng Anak na babae ng Dios. Sa kabilang dako, niiikha naman ng H.A.H. ang krus ni Kristo pati na ang dalawang taong magpapako. Ang dalawang taong ito ay pinapasok muna sa loob ng bato hanggang sa dumating ang takdang panahon at araw na sila'y dapat lumabas upang gampanan ang kanilang papel.
__________________________
Source:
ANTING - ANTING, Nenita Pambid
Thursday, January 26, 2012
PARA MALIGTAS SA NAGLILIPARANG BALA
"SATUM PECATUM PICABIT
CRISTUM LEVERATUM OPERA
OPERA HUM LIBRE DEI TODO"
Dasaling pausal-usal sa umaga, sa tanghali at sa hapon. Paraan ng paggamit; dasalin o sambitin ng pabulong sa sarili.
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