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Tuesday, January 31, 2012

SIDDHASANA (accomplished pose for men) - YOGA ASANAS

Sit with the legs straight in front of the body. Bend the right leg and place the sole of the foot flat against the inner left thigh with the heel pressing the perineum (the area midway between the genitals and the anus), sitting on top of the right heel.

This is an important aspect of siddhasana. Adjust the body until it is comfortable and the pressure of the heel is firmly applied.

Bend the left leg and place the left ankle directly over the right ankle so that the ankle bones are touching and the heels are one above the other.

Press the pubis with the left heel directly above the genitals. The genitals will, therefore, lie between the two heels. If this last position is too difficult, simply place the left heel as near as possible to the pubis.

Push the toes and the outer edge of the left foot into the space between the right calf and thigh muscles. If necessary, this space may be enlarged slightly by using the hands or temporarily adjusting the position of the right leg.

Grasp the right toes and pull them up into the space between the left calf and thigh.

Again adjust the body so that it is comfortable.

The legs should now be locked, with the knees touching the ground and the left heel directly above the right heel. Make the spine erect and feel as though the body is fixed on the floor. Place the hands on the knees in jnana, chin or chinmaya mudra.

Close the eyes and relax the whole body.

Contra-indications: Siddhasana should not be practised by those with sciatica or sacral infections.

Benefits: Siddhasana directs the energy from the lower psychic centres upward through the spine, stimulating the brain and calming the entire nervous system. The position of the lower foot at the perineum presses mooladhara chakra, stimulating moola bandha, and the pressure applied to the pubic bone presses the trigger point for swadhisthana, automatically activating vajroli/sahajoli mudra. These two psycho-muscular locks redirect sexual nervous impulses back up the spinal cord to the brain, establishing control over the reproductive hormones which is necessary in order to maintain brahmacharya for spiritual purposes. Prolonged periods in siddhasana result in noticeable tingling sensations in the mooladhara region which may last for ten to fifteen minutes. This is caused by a reduction in the blood supply to the area and by a rebalancing of the pranic flow in the lower chakras.

This posture redirects blood circulation to the lower spine and abdomen, toning the lumbar region of the spine, the pelvis and the abdominal organs, and balancing the reproductive system and the blood pressure.

Practice note: Siddhasana may be performed with either leg uppermost. Many people experience discomfort due to the pressure applied where the ankles cross each other. If necessary, place a folded cloth or piece of sponge between the legs at this point. At first the pressure at the perineum may be uncomfortable to maintain but with practice this will be eased.


Note: The Sanskrit word siddha means 'power' and 'perfection'. The word siddhi is derived from siddha and refers to a psychic power or faculty developed through yogic practices. Siddhis include clairvoyance and telepathy as well as many other lesser known powers such as the ability to disappear at will. Siddhasana, or siddha yoni asana for women, is believed to be the asana that helps develop these powers.

KEY TO ASTRAL COLOR

RED
Red represents the physical phase of mentality. That is to say, it stands for that part of the mental activities which are concerned with physical life. It is manifested by the vitality of the body, and in other hues, tints and shades, is manifested by passions, anger, physical cravings, etc. I shall describe the various forms of Red manifestation, a little later on.

BLUE
Blue represents the religious, or spiritual, phase of mentality. That is to say, it stands for that part of the mental activities which are concerned with high ideals, altruism, devotion, reverence, veneration, etc. It is manifested, in its various hues, tints, and shades, by all forms of religious feeling and emotion, high and low, as we shall see as we proceed.
YELLOW
Yellow represents the intellectual phase of mentality. That is to say, it stands for that part of the mental activities which are concerned with reasoning, analysis, judgment, logical processes, induction, deduction, synthesis, etc. In its various hues, tints and shades, it is manifested by the various forms of intellectual activity, high and low, as we shall see as we proceed.

WHITE
White stands for what occultists know as Pure Spirit, which is a very different thing from the religious emotion of “spirituality,” and which really is the essence of the ALL that really is. Pure Spirit is the positive pole of Being. We shall see the part played by it in the astral colors, as we proceed.

BLACK
Black stands for the negative pole of Being—the very negation of Pure Spirit, and opposing it in every way. We shall see the part played by it in the astral colors as we proceed.

The various combinations of the three Astral Primary Colors are formed in connection with Black and White as well as by the blending of the three themselves. These combinations, of course, result from the shades of mental and emotional activity manifested by the individuality, of which they are the reflection and the key.

The combinations and blending of the astral colors, however, are numberless, and present an almost infinite variety. Not only is the blending caused by the mixing of the colors themselves, in connection with black and white, but in many cases the body of one color is found to be streaked, striped, dotted or clouded by other colors. At times there is perceived the mixture of two antagonistic color streams fighting against each other before blending. Again we see the effect of one color neutralizing another.

In some cases great black clouds obscure the bright colors beneath, and then darken the fierce glow of color, just as is often witnessed in the case of a physical conflagration. Again, we find great flashes of bright yellow, or red, flaring across the field of the aura, showing agitation or the conflict of intellect and passion.

The average student, who has not developed the astral vision, is inclined to imagine that the astral colors in the human aura present the appearance of an egg−shaped rainbow, or spectrum, or something of that sort. But this is a great mistake. In the first place, the astral colors are seldom at rest, for all mental and emotional activity is the result of vibration, change, and rhythmic motion. Consequently, the colors of the aura present a kaleidoscopic appearance, of constant change of color, shape and grouping—a great electrical display, so to speak, constantly shifting, changing, and blending.

Great tongues of flame like emanations project themselves beyond the border of the aura, under strong feeling or excitement, and great vibratory whirls and swirls are manifested. The sight is most fascinating, although somewhat terrifying at first. Nature is wise in bestowing the gift of astral vision only gradually and by almost imperceptible stages of advance. There are many unpleasant, as well as pleasant, sights on the Astral Plane.

SWAMI PANCHADASI

WHAT IS HUMAN AURA?

The above question is frequently asked the student of occultism by someone who has heard the term but who is unfamiliar with its meaning. Simple as the question may seem, it is by no means easy to answer it, plainly and clearly in a few words, unless the hearer already has a general acquaintance with the subject of occult science. Let us commence at the beginning, and consider the question from the point of view of the person who has just heard the term for the first time.

The dictionaries define the word aura as: “Any subtle, invisible emanation or exhalation.” The English authorities, as a rule, attribute the origin of the word to a Latin term meaning “air,” but the Hindu authorities insist that it had its origin in the Sanskrit root Ar, meaning the spoke of a wheel, the significance being perceived when we remember the fact that the human aura radiates from the body of the individual in a manner similar to the radiation of the spokes of a wheel from the hub thereof.

The Sanskrit origin of the term is the one preferred by occultists, although it will be seen that the idea of an aerial emanation, indicated by the Latin root, is not foreign to the real significance of the term. Be the real origin of the term what it may, the idea of the human aura is one upon which all occultists are in full agreement and harmony, and the mention of which is found in all works upon the general subject of occultism. So we shall begin by a consideration of the main conception thereof, as held by all advanced occultists, ancient and modern, omitting little points of theoretical variance between the different schools. Briefly, then, the human aura may be described as a fine, ethereal radiation or emanation surrounding each and every living human being. It extends from two to three feet, in all directions, from the body. It assumes an oval shape—a great egg−shaped nebula surrounding the body on all sides for a distance of two or three feet. This aura is sometimes referred to, in ordinary terms, as the “psychic atmosphere” of a person, or as his “magnetic atmosphere.”

This atmosphere or aura is apparent to a large percentage of persons in the sense of the psychic awareness generally called “feeling,” though the term is not a clear one. The majority of persons are more or less aware of that subtle something about the personality of others, which can be sensed or felt in a clear though unusual way when the other persons are nearby, even though they may be out of the range of the vision. Being outside of the ordinary range of the five senses, we are apt to feel that there is something queer or uncanny about these feelings of projected personality. But every person, deep in his heart, knows them to be realities and admits their effect upon his impressions regarding the persons from whom they emanate. Even small children, infants even, perceive this influence, and respond to it in the matter of likes and dislikes. But, human testimony regarding the existence and character of the human aura does not stop with the reports of the psychic senses to which we have just referred. There are many individuals of the race—a far greater percentage than is generally imagined—who have the gift of psychic sight more or less developed.

Many persons have quite a well−developed power of this kind, who do not mention it to their acquaintances for fear of ridicule, or of being thought “queer.” In addition to these persons, there are here and there to be found well−developed, clear−sighted, or truly clairvoyant persons, whose powers of psychic perception are as highly developed as are the ordinary senses of the average individual. And, the reports of these persons, far apart in time and space though they may be, have always agreed on the main points of psychic phenomena, particularly in regards to the human aura.

To the highly developed clairvoyant vision, every human being is seen as surrounded by the egg−shaped aura of two or three feet in depth, more dense and thick in the portion nearest the body, and then gradually becoming more tenuous, thin and indistinct as the distance from the body is increased. By the psychic perception, the aura is seen as a luminous cloud—a phosphorescent flame—deep and dense around the centre and then gradually shading into indistinctness toward the edges. As a matter of fact, as all developed occultists know, the aura really extends very much further than even the best clairvoyant vision can perceive it, and its psychic influence is perceptible at quite a distance in many cases. In this respect it is like any flame on the physical plane—it gradually fades into indistinctness, its rays persisting far beyond the reach of the vision, as may be proved by means of chemical apparatus, etc.

To the highly developed clairvoyant vision, the human aura is seen to be composed of all the colors of the spectrum, the combinations of colors differing in various persons, and constantly shifting in the case of every person. These colors reflect the mental (particularly the emotional) states of the person in whose aura they are manifested. Each mental state has its own particular combination formed from the few elementary colors which represent the elementary mental conditions. As the mind is ever shifting and changing its states, it follows that there will ever be a corresponding series of shifting changes in the colors of the human aura.

The shades and colors of the aura present an ever changing kaleidoscopic spectacle, of wonderful beauty and most interesting character. The trained occultist is able to read the character of any person, as well as the nature of his passing thoughts and feelings, by simply studying the shifting colors of his aura. To the developed occultist the mind and character become as an open book, to be studied carefully and intelligently.

Even the student of occultism, who has not been able to develop the clairvoyant vision to such a high degree, is soon able to develop the sense of psychic perception whereby he is able to at least “feel” the vibrations of the aura, though he may not see the colors, and thus be able to interpret the mental states which have caused them. The principle is of course the same, as the colors are but the outward appearance of the vibrations themselves, just as the ordinary colors on the physical plane are merely the outward manifestation of vibration of matter.

But it must not be supposed that the human aura is always perceived in the appearance of a luminous cloud of ever−changing color. When we say that such is its characteristic appearance, we mean it in the same sense that we describe the ocean as a calm, deep body of greenish waters. We know, however, that at times the ocean presents no such appearance, but, instead, is seen as rising in great mountainous waves, white capped, and threatening the tiny vessels of men with its power. Or again, we may define the word “flame” in the sense of a steady bright stream of burning gas, whereas, we know only too well, that the word also indicates the great hot tongues of fiery force that stream out from the windows of a burning building, and lick to destruction all with which it comes in contact.

So it is with the human aura. At times it may be seen as a beautiful, calm, luminous atmosphere, presenting the appearance of a great opal under the rays of the sun. Again, it blazes like the flames of a great furnace, shooting forth great tongues of fire in this direction and that, rising and falling in great waves of emotional excitement, or passion, or perhaps whirling like a great fiery maelstrom toward its centre, or swirling in an outward movement away from its centre. Again it may be seen as projecting from its depths smaller bodies or centres of mental vibration, which like sparks from a furnace detach themselves from the parent flame, and travel far away in other directions—these are the projected thought−forms of which all occultists are fond of speaking and which make plain many strange psychic occurrences.

So, it will be seen, the human aura is a very important and interesting phase of the personality of every individual. The psychic phase of man is as much the man himself as is the physical phase—the complete man being made up of the two phases. Man invisible is as much the real man as is man visible. As the finer forms of nature are always the most powerful, so is the psychic man more potent than the physical man.

The human aura, and its colors, as being perceived by astral or clairvoyant vision, for this is the way in which it is perceived and studied by the occultist. The occult teaching is that, in the evolution of the race, this astral vision will eventually become the common property of every human being—it so exists even now, and needs only development to perfect it.

But modern physical science is today offering corroborative proof (though the same is not needed by the occultist who has the astral vision) to the general public, of the existence of the human aura. In Europe, especially, a number of scientists have written on the subject of the aura, and have described the result of the experiments in which the aura has been perceived, and even photographed, by means of fluorescent screens, such as are used in taking X−Ray photographs, etc. Leading authorities in England, France, and still more recently, in Germany, have reported the discovery of a nebulous, hazy, radio−active energy or substance, around the body of human beings. In short, they now claim that every human being is radio−active, and that the auric radiation may be registered and perceived by means of a screen composed of certain fluorescent material, interposed between the eye of the observer, and the person observed.

This aura, so discovered by the scientists, is called by them the “human atmosphere,” and is classified by them as similar to the radiations of other radio−active substances, radium, for instance. They have failed to discover color in this atmosphere, however, and know nothing, apparently, of the relation between auric colors and mental and emotional states, which are so familiar to every advanced occultist. I mention this fact merely as a matter of general interest and information to the student, and not as indicating, even in the slightest degree, any idea on my part that the old occult teaching, and the observed phenomena accompanying the same, regarding the human aura, require any proof or backing up on the part of material scientists. On the contrary, I feel that material science should feel flattered by the backing up by occult science of the new discovery of the “human atmosphere.” A little later on, material science may also discover the auric colors, and announce the same to the wondering world, as a new truth.

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SWAMI PANCHADASI
THE HUMAN AURA Astral Colors and Thought Forms

Sunday, January 29, 2012

25 KAPANGYARIHAN NG S.A.T.O.R. (Repost)

S.A.T.O.R.
A.R.E.P.O.
T.E.N.E.T.
O.P.E.R.A.
R.O.T.A.S.

Ang mga ORACION na nabanggit sa itaas ay nagtataglay ng ibat ibang kapangyarihan. Bawat isa sa limang ito ay naglalaman ng limang MILAGRO at nabubuong lahat sa 25 KAPANGYARIHAN.

I. KAPANGYARIHAN SA LAKAS
II. KAPANGYARIHAN SA PAMPALUBAG LOOB O GITING
III. KAPANGYARIHAN SA TAPANG
IV. KAPANGYARIHAN SA UHAW
V. KAPANGYARIHAN SA PAGSUPIL
VI. KAPANGYARIHAN SA KAHINAHUNAN
VII. KAPANGYARIHAN SA KABAL KUNAT
VIII. KAPANGYARIHAN SA TALINO
IX. KAPANGYARIHAN SA PAGLALAKBAY
X. KAPANGYARIHAN SA GAYUMA
XI. KAPANGYARIHAN SA APOY
XII. KAPANGYARIHAN SA HATING GABI
XIII. KAPANGYARIHAN SA PANGPAHABA NG BUHAY
XIV. KAPANGYARIHAN SA PAGPAPABALIK
XV. KAPANGYARIHAN SA GUTOM
XVI. KAPANGYARIHAN SA PANGGAGAMOT
XVII. KAPANGYARIHAN SA MESMERISMO
XVIII. KAPANGYARIHAN SA PAGTULOG
XIX. KAPANGYARIHAN SA PALOS
XX. KAPANGYARIHAN SA PAGTAWAG
XXI. KAPANGYARIHAN SA TAGA BULAG
XXII. KAPANGYARIHAN SA PAMARUSA SA KAPWA
XXIII. KAPANGYARIHAN SA GRUPO
XXIV. KAPANGYARIHAN SA PANGLUNAS
XXV. KAPANGYARIHAN SA MATA
Originally posted by: Ka Ultimo Bato in Facebook Group, DAIGDIG NG KABABALAGHAN - Umbraculum Mysterium

ANG KASAYSAYAN NG UNANG PAGLIKHA

Ito ang larawan ng kasaysayan ng unang paglikha. Makikita ang Dios Ama na nakalukluk sa kaitaasan, ang Dios Ina na may S.T.M. sa dibdib na kung tawagin ay Birhen nagsabog ng biyaya, Dios Anak na pasang krus at Dios Espiritu Santo. Sila rin ang Tatlong Persona o Sagrada Familia na nagko-consistoryo na pawang nagmula sa Dios Ama. Makikita rin ang pitong bakas, Birheng nagpapasuso at mga Kerubines. Ang larawang ito ay makikita nang pira-piraso sa mga medalyon o anting-anting.
_____________
ANTING-ANTING, Nenita Pambid

Basag ng R.O.M.A.

R - Regnus
O - Omnibus
M - Mundi
A - Agnum

Anim na espiritung nilikha ng Infinito Dios ---- nakakalikha at nakawawasak.

 
"Ang anim na iba pa ay ayaw tumanggap ng anumang kaloob ng Dakilang Dios. At ang naging gawain nila ay ang magpagala-gala sa labas ng mundo. Ito ay sina Elim, Borim, Morim, Bicairim, Persalutim at Mitim."

PITONG ARKANGHEL NA HINDI BINYAGAN

 
Pitong Arkanghel na hindi binyagan. Sa bawa't antas ng paglalang ay nag-iiba ang mga pangalan ng mga tauhan subalit sila pa rin iyon. Ang Siete Arkangheles na hindi binyagan ay naging binyagan matapos ang combate ispiritwal. Sila rin ang 7 Nuno, 7 Susi o Llaves sa pitong suson ng langit at sila rin ang Pitong Tatak.

BASAG NG ELOHIM

E - Eloi
L - Laua
O - Os
H - Hanam
I - Ismai
M - Metsuda

INFINITO DIOS HINDI BINYAGAN / APAT NA EVANGELISTA

INFINITO DIOS HINDI BINYAGAN / APAT NA EVANGELISTA

MGA MITO NG DIOS INA ANIMASOLA SA PANAHON NG DIOS AMA FOOC AT ANG PAGPAPLANO NG PANAHON NG DIOS ANAK

Ganito ang pagpapakilala ng Dios (isang babae) sa mito: Ako ang Tangi’t Una (Animasola), ang pinagmulan ng may hawak ng liwanag at ng dilim na liliwanagan. Ibig sabihin: siya, ang Dios na Liwanag, at ang Walang Hanggang Dios (o Infinito Dios) ay iisa. “Amuman" ang ngalang nakasulat sa kanyang balabal. Siya ang una sa Pitong birhen (sa mito, ang unang nilalang ay pitong birhen na ang isa'y si Animasola o Amuman).


Lumalang si Amuman ng bulaklak na may tatlong persona: sina Magugab, Mariagob, at Magob. Ipinasok ang bulaklak sa loob ng kristal, at ipinasok ang kristal sa isang gintong kaban.  Pinabantayan ito sa pitong arkanghel na kanya ring nilikha.
 
Lumikha ang ikatlong nuno (isa sa mga birhen) ng tatlong banal na espiritu. Ang ikaapat ay lumikha rin ng tatlo at gayon din ang ginawa ng ikalima.
 
Nagtangka ring lumikha ang dalawampu't apat na espiritu. Nagsalita ang Dios na anyong mata at nagpakilala: “Ako ay mata, ako ang Dios ninyo, at aka ang espiritung tunay ng kaliwanagan; ako ang alaala, bait, loob." Lumalabas sa kuwentong ito na ang tinig ay mas mataas sa Amuman at Siete Virgenes.
 
Ang dalawampu't apat na espiritu o matatanda ay pinagkaisahan naman ang Birhen na lumabas sa kristal na ipinasok sa kaban. Ang birhen ay ang bulaklak na walang iba kundi si Maria sa langit, sa lupa, at sa himpapawid. Naniniwala sa tatlong Mariang ito ang mga samahang Ciudad Mistica de Dios, Tatlong Persona Solo Dios at Bathalismo, Inang Mahiwaga. Sa ibang pakahulugan, ang tatlong Birhen: Ina nag-uusap at lumalalang ay siya ring Tatlong Persona o Santisima Trinidad.
 
Sa kalagitnaan ng mito, magpapakilala ang tinig bilang Dios Fooc, na sa paniniwala ng siete virgenes ay kanilang pinagmulan. Batid rin nila na ang tinig na ito ang naghahawak ng lahat ng kapangyarihan. Ayon sa Dios Fooc, siya ay "Mula sa walang pinagmulan at hanggang sa walang hanggan. "Samakatwid, siya rin ang Infinito Dios o Dios na Walang Hanggan. Pinakamakapangyarihan man siya sa lahat at walang kapantay, binigyan pa rin niya ng kalayaan ang nunong babae na lumikha. Nilikha nito, bukod sa mga espiritu, ang Sator o apat na arkanghel na umaalalay sa apat na sulok ng mundo.
 
Matapos lumikha ng mabubuting espiritu na paris nila ang tatlong nunong babae (sina Helnag, Amuman at Hemspag), binalak nila, kasama ng Dios Fooc, ang pagbaba ng Santisima Trinidad Helnag upang magkatawang tao. Si Helnag ay ikalawang Persona ng unang nunong babae, si Amuman. Nilikha rin ng tatlo si Luxbel, ang magdudulot ng pasakit na pagtitiisan ng ikalawang persona. Naisip din ng tatlo ang gagawing Ina ng Anak ng Dios na magkakatawang-tao, pati na ang lalaking magpapasan ng krus ng kamatayan. Inisip na rin nila ang kanyang pangalan" Ayon sa Dios Fooc, nalikha na niyang lahat ito. Nilikha naman ng tatlong H.A.H. ang hahatol sa Anak ng Dios na si Pilato. Sinabi ng Dios Fooc na siya na rin ang gawing katawan ng Ina na sasakop sa taong makasalanan. Sa gayon, ang Kristong Tagapagligtasa, ng Dios Fooc, at ang  ikalawang Persona na si Helnag ay iisa. Nilikha na rin ang Apat na Pako ng H.A.H. na lingid sa kanila'y nalikha na ng Dios Fooc. Ang Ikalimang Pako ay nilikha naman ng ikalimang Nuno sa  pamamagitan ng oracion. Ipinadala na rin ang mga salita sa Rotulo kay Pilato. Ang mga salita ay INRI - ang kahulugan ay pangalan ng Anak na babae ng Dios. Sa kabilang dako, niiikha naman ng H.A.H. ang krus ni Kristo pati na ang dalawang taong magpapako. Ang dalawang taong ito ay pinapasok muna sa loob ng bato hanggang sa dumating ang takdang panahon at araw na sila'y dapat lumabas upang gampanan ang kanilang papel.
 
__________________________
Source:
ANTING - ANTING, Nenita Pambid

Thursday, January 26, 2012

PARA MALIGTAS SA NAGLILIPARANG BALA

"SATUM PECATUM PICABIT
CRISTUM LEVERATUM OPERA
OPERA HUM LIBRE DEI TODO"

Dasaling pausal-usal sa umaga, sa tanghali at sa hapon. Paraan ng paggamit; dasalin o sambitin ng pabulong sa sarili.