Wednesday, April 27, 2011

The Days, And Hours, And Of The Virtues Of The Planets

When thou wishest to make any experiment or operation, thou must first prepare, beforehand, all the requisites, such as candles and Incense, which thou wilt find described in the following Chapters: observing the days, the hours, and the other effects of the Constellations which may be found in this Chapter.

It is, therefore, advisable to know that the hours of the day and of the night together, are twenty-four in number, and that each hour is governed by one of the Seven Planets in regular order, commencing at the highest and descending to the lowest.

The order of the Planets is as follows: ShBThAI, Shabbathai, Saturn; beneath Saturn is TzDQ, Tzedeq, Jupiter; beneath Jupiter is MADIM, Madim, Mars; beneath Mars is ShMSh, Shemesh, the Sun; beneath the Sun is NVGH, Nogah, Venus; beneath Venus is KVKB, Kokav, Mercury; and beneath Mercury is LBNH, Levanah, the Moon, which is the lowest of all the Planets.

It must, therefore, be understood that the Planets have their dominion over the day which approacheth nearest unto the name which is given and attributed unto them – viz., over Saturday, Saturn; Thursday, Jupiter; Tuesday, Mars; Sunday, the Sun; Friday, Venus; Wednesday, Mercury: and Monday, the Moon.

The rule of the Planets over each hour begins from the dawn at the rising of the Sun on the day which take its name from such Planet, and the Planet which follows it in order, succeeds to the rule over the next hour. Thus (on Saturday) Saturn rules the first hour, Jupiter the second, Mars the third, the Sun the fourth, Venus the fifth, Mercury the sixth, the Moon the seventh, and Saturn returns in the rule over the eighth, and the others in their turn, the Planets always keeping the same relative order.

Note that each experiment of magical operation should be performed under the Planet, and usually in the hour, which refers to the same.

For example: In the Days and Hours of Saturn thou canst perform experiments to summon the Souls from Hades, but only of those who have died a natural death. Similarly on these days and hours thou canst operate to bring either good or bad fortune to buildings; to have familiar Spirits attend thee in sleep; to cause good or ill success to business, possessions, goods, seeds, fruits, and similar things, in order to acquire learning; to bring destruction and to give death, and to sow hatred and discord.

The Days and Hours of Jupiter are proper for obtaining honours, acquiring riches; contracting friendships, preserving health; and arriving at all that thou canst desire.

In the Days and Hours of Mars thou canst make experiments regarding war; to arrive at military honour; to acquire courage; to overthrow enemies; and further to cause ruin, slaughter, cruelty, discord; to wound and to give death.

The Days and Hours of the Sun are very good for: perfecting experiments regarding temporal wealth, hope, gain, fortune, divination, the favour of princes, to dissolve hostile feeling, and to make friends.

The Days and Hours of Venus are good for forming friendships; for kindness and love; for joyous and pleasant undertakings, and for traveling.

The Days and Hours of Mercury are good to operate for eloquence and intelligence; promptitude in business; science and divination; wonders; apparitions: and answers regarding the Future. Thou canst also operate under this Planet for thefts;writings; deceit; and merchandise.

The Days and Hours of the Moon are good for embassies; voyages; envoys; messages; navigation; reconciliation; love; and the acquisition of merchandise by water. Thou shouldst take care punctually to observe all the instructions contained in this chapter, if thou desirest to succeed, seeing that the truth of Magical Science dependeth thereon.

The Hours of Saturn, of Mars, and of the Moon are alike good for communicating and speaking with Spirits; as those of Mercury are for recovering thefts by the means of Spirits.

The Hours of Mars serve for summoning Souls from Hades, especially of those slain in battle.

The Hours of the Sun, of Jupiter, and of Venus, are adapted for preparing any operations whatsoever of love, of kindness, and of invisibility, as is hereafter more fully shown, to which must be added other things of a similar nature which are contained in our work.

The Hours of Saturn and Mars and also the days on which the Moon is conjunct with them, or when she receives their opposition or quartile aspect, are excellent for making experiments of hatred, enmity, quarrel, and discord; and other operations of the same kind which are given later on in this work.

The Hours of Mercury are good for undertaking experiments relating to games, raillery, jests, sports, and the like.

The Hours of the Sun, of Jupiter, and of Venus, particularly on the days which they rule, are good for all extraordinary, uncommon, and unknown operations.

The Hours of the Moon are proper for making trial of experiments relating to recovery of stolen property, for obtaining nocturnal visions, for summoning Spirits in sleep, and for preparing anything relating to Water.

The Hours of Venus are furthermore useful for lots, poisons, all things of the nature of Venus, for preparing powders provocative of madness; and the like things. But in order to thoroughly effect the operations of this Art, thou shouldest perform them not only on the Hours but on the Days of the Planets as well, because then the experiment will always succeed better, provided thou observest the rules laid down later on, for if thou omittest one single condition thou wilt never arrive at the accomplishment of the Art.

For those matters then which appertain unto the Moon, such as the Invocation of Spirit, the Works of Necromancy, and the recovery of stolen property, it is necessary that the Moon should be in a Terrestrial Sign, viz.: Taurus, Virgo, or Capricorn. For love, grace, and invisibility, the Moon should be in a Fiery Sign, viz.: Aries, Leo, or Sagittarius.

For hatred, discord, and destruction, the Moon should be in a Watery Sign, viz.: Cancer, Scorpio, or Pisces.

For experiments of a peculiar nature, which cannot be classed under any certain head, the Moon should be in an Airy Sign, viz.: Gemini, Libra, or Aquarius.

But if these things seem unto thee difficult to accomplish, it will suffice thee merely to notice the Moon after her combustion, or conjunction with the Sun, especially just when she quits his beams and appeareth visible. For then it is good to make all experiments for the construction and operation of any matter. That is why the time from the New unto the Full Moon is proper for performing any of the experiments of which we have spoken above. But in her decrease or wane it is good for War, Disturbance, and Discord. Likewise the period when she is almost deprived of light, is proper for experiments of invisibility, and of Death.

But observe inviolably that thou commence nothing while the Moon is in conjunction with the Sun, seeing that this is extremely unfortunate, and that thou wilt then be able to effect nothing; but the Moon quitting his beams and increasing in Light, thou canst perform all that thou desirest, observing nevertheless the directions in this Chapter.

Furthermore, if thou wishest to converse with Spirits it should be especially on the day of Mercury and in his hour, and let the Moon be in an Airy Sign, as well as the Sun.

Retire thou then unto a secret place, where no one may be able to see thee or to hinder thee, before the completion of the experiment, whether thou shouldest wish to work by day or by night. But if thou shouldest wish to work by night, perfect thy work on the succeeding night; if by day, seeing that the day beginneth with the rising of the Sun (perfect thy work on) the succeeding day. But the Hour of Inception is the Hour of Mercury.

Verily, since no experiments for converse with Spirits can be done without a Circle being prepared, whatsoever experiments therefore thou wishest to undertake for conversing with Spirits, therein thou must learn to construct a certain particular Circle; that being done surround that Circle with the Circle of Art for better caution and efficacy.

SOURCE: Book 1 (Chapter II); The Greater Key of Solomon

Including A Clear And Precise Exposition Of King

Solomon’s Secret Procedure,

Its Mysteries And Magic Rites,

Original Plates, Seals, Charms And Talismans.


Translated From Ancient Manuscripts

In The British Museum, London.

By S. Liddell MacGregor Mathers

YANTRA: To remove the effect of Evil Eye & Souls

This yantra, should be written on the paper and used around neck by putting it in a talisman. The effects of the evil eye and souls will be removed and one remains protected from such effects. Write the name of person at the bottom.

MOHAMMEDAN YANTRA

Note:

For record purposes only.

YANTRA: To get the House Vacated

When a tenant or anybody else does not vacate a house or premises, write the yantra, on a piece of paper. Put it in a bottle and bury in the ground. The name of the occupant should be written at the bottom of the yantra. He will vacate the place.

MOHAMMEDAN YANTRA

Note:

For record purposes only

Monday, April 25, 2011

YANTRA

Yantra (यन्त्र) is the Sanskrit word for "instrument" or "machine". Much like the word "instrument" itself, it can stand for symbols, processes, automata, machinery or anything that has structure and organization, depending on context.

One usage popular in the west is as symbols or geometric figures. Traditionally such symbols are used in East...ern mysticism to balance the mind or focus it on spiritual concepts. The act of wearing, depicting, enacting and/or concentrating on a yantra is held to have spiritual or astrological or magical benefits in the Tantric traditions of the Indian religions.

Etymology and meanings

Yantra is a Sanskrit word that is derived from the root yam meaning to control or subdue or "to restrain, curb, check". Meanings for the noun derived from this root include:

  • "any instrument or machine" (i.e. that which is controlled or controls. For instance the body is said to be a yantra)
  • "any instrument for holding, restraining, or fastening" (for instance a symbol which 'holds' the essence of a concept, or helps the mind to 'fasten' on a particular idea)
  • "a mystical or astronomical diagram" (usually a symbol, often inscribed on an amulet) sometimes said to possess mystical or magical powers.

-tra is an indoeuropean suffix meaning ' instrument', found in Latin ' aratrum' and in tantra and mantra. A yantra depicts both macrocosmic and microcosmic forces acting together - the movement towards and away from the centre - "control" and "liberation" within the one device. Mantra plus yantra creates tantra. In some disciplines of Tantra it is said that a focused, controlled gaze upon a particular yantra may lead to liberation.

Symbols employed in yantras

Shapes and patterns commonly employed in yantra include squares, triangles, circles and floral patterns but may also include more complex and detailed symbols, for instance:

  • The lotus flower typically represent chakras, with each petal representing a psychic propensity (or vritti) associated with that chakra
  • A dot, or bindu, represents the starting point of creation or the infinite, unexpressed cosmos
  • The şaţkoņa (Sanskrit name for a symbol identical to the star of David) composed of a balance between:
    • An upwards triangle denoting action (or service), extroversion, masculinity or Shiva
    • A downwards triangle denoting introversion, meditativeness, goddess energy or Shakti
  • A swastika represents good luck, welfare, prosperity or spiritual victory
  • Bija mantras (usually represented as characters of Devanāgarī that correspond to the acoustic roots of a particular chakra or vritti)

Geometric element meanings:

  • Circle = Energy of the element water
  • Square = Energy of the element earth
  • Triangle = Energy of the element fire
  • Diagonal lines = Energy of the element air
  • Horizontal line = Energy of the element water
  • Vertical line = Energy of the element fire
  • Point = Energy of the element ether

SOURCE:

http://en.wikipedia.org/wiki/Yantra

To know true and false Friends

REAHBEM is of course MEBHAER written backwards. ELIAILE reads the same way backwards or forwards, and so does HAOROAH; and BIKOSIA written backwards gives AISOKIB. Yet undoubtedly some of these words are to an extent translatable also, and in this case will be found to have a bearing on the subject-matter of the Square. Hebrew especially is a ...language in which this method will be found to work with a readiness unattainable in ordinary European languages, from the fact that its Alphabet may be said to be intirely Consonantal in character, even such letters as Aleph, Vau, and Yod, being rather respectively, a drawing in of the breath than the letter A; V rather than U. and Y rather than I. Also in common with all really ancient languages the system of Verbal Roots from which all the words of the language are derived, has this effect, viz., that the majority of combinations of two or three letters will be found to be a Verbal Root, bearing a definite meaning. Besides all this, in the Qabalah each letter of the Hebrew Alphabet is treated as having a complete sphere of hieroglyphic meanings of its own; whence the most important ancient Hebrew Names and Words can be treated by the Qabalistic Initiate as in fact so many formulas of Spiritual force. have been thus lengthy in explanation in order that the Reader may have some idea of the reason of the construction and use of these Magic Squares.

Source:

THE THIRD BOOK OF THE HOLY MAGIC,

WHICH GOD GAVE UNTO MOSES, AARON, DAVID, SOLOMON, AND OTHER SAINTS, PATRIARCHS AND PROPHETS; WHICH TEACHETH THE TRUE DIVINE WISDOM. BEQUEATHED BY ABRAHAM UNTO LAMECH HIS SON.

TRANSLATED FROM THE HEBREW. 1458

URI NG ANTING – ANTING:

LIBRETO – may “curse” sumpa, maaring malaki o maliit, at ang hugis ay kuwadrado, may bilog, may trianggulo at may pahabang aklat.

INSIGNIAS - kapirasong telang may sagradong nakasulat may ibat-iba ring hugis.

TALISMAN – may drawing na ibat – ibang hugis maaring nasa kahoy, metal na dinadala o tinatatak sa bato o sa bahay.

AMULET – mga medalla itong may nakasulat na mga letra at Gnosticong simbulo.

SCAPULAR – anting ng mga reliheyosa/relihiyoso ng simbahan na denedivosionan nila, ito’y kung anong santo o santa ang ibig nilang devosionan.

MUTYA – maaring bato, metal o buto maging kahoy na may extra ordinariong kalidad at nakuha sa kakatwang paraan at ito’y pambihira, maging ang antingong pera ay mutya na, charm sa ibang katawagan, ang wand maging bato, kahoy metal ay isang uri ng mutya.

AKLAT NG MGA ORASYON:
  • ENCANTO DE DIOS – Kaballistic, Tigalpo
  • FLOS SANCTURUM – Orasyon sa Kalikasan
  • TRONCU DEL MUNDO – Pinagmulan ng mundo, Orasyon ng mga Propeta, Orasyon ng Infinito Dios.
  • KARUNUNGAN NG DIOS - Mga lihim na kasaysayan ng buhay ni Jesus at kanyang mga alagad, Oraciones para sa ibat-ibang karamdaman.
  • TESTAMENTO NI ADAN – Kasaysayan ng Simbahan at lahi ni Adan, mga lihim na pangalan.
  • BOOK OF MOSES 6,7,8,9 – Karunungan sa TREASURE, Conjuration (conjuring of elementals)
  • MARTYR OF GOLGOTHA – Lihim na kasaysayan ni Jesus at ng mga Biblical characters ng Bagong Tipan.

Note: Using oracion is adopted by the Filipinos during Spanish conquest, during 1521 its influence is not widely spread, oracion from Spanish Priest widely spread during their return to Philippines in 1565.

MGA AMULET o MEDALLION:
Tres Ojos, Mystic Eye, 7 Archangeles, Infinito Dios, Isis, Immaculada, San Benito, Agnus Dei, San Cristobal, Santiago de Galicia, St. Michael, Medalyong Encanto de Dios, Tetragrammaton, Seal of Solomon, Medalyong san Benito

ANG PAGGAMIT NG ORASYON:
  • Dapat taglayin ang Medalya na nakabitin sa leeg o nalalagay sa katawan.Maaaring ilagay ang Medalya “Amulet o Talisman” sa mga pintuan ng silid o bahay, mayron ring nagbabaon sa semento o kinalalagyan ng bahay.
  • Mabuti rin sa mga haligi ng bahay ito ilagay upang maging matatag ang bahay sa sigwa, pagkabulok at pagkagiba.
  • Kung sa mgay sakit ay idadampi sa lugar na may karamdaman.
  • Inilulubog sa tubig na iniinom ng mga hayop sa may sakit o maging sa tao.
  • Sa may mga sakit sa isip maging sa mga sinasapian ito’y tinutubog sa tubig at binabanyos sa maligamgam na tubig.
  • Pinapasuot ito sa mga dinadala at sinasapian ng masamang espiritu bilang pangontra.
  • Ang Medalya ay hinahagkan kapag humihingi ng tulong o awa.
  • Ang iba ito’y kinikiskis ng kamay upang ito’y dumaloy ang kapangyarihan – kaliwang kamay ang ginagamit na kapangyarihan nito.
  • Ang medalya ay dapat na laging nakatago sa luob ng baro.
  • Ito’y linalabas kung mayroong kapahamakang darating.
  • Ang iba’y dinadala ang Amulet bilang GOOD LUCK CHARM at linalagay ito sa kanilang bulsa.
PANUNTUNAN:
  • Huwag gagamitin ang power sa masamang paraan, ipagpaparanya o ipagyayabang, sapagkat kayo’y mapapahamak at maaring pagdusahan habang buhay.
  • Paka-iingatan na huwag mahakbangan, paglalaruan at matapakan ang mga testamento at amulet.
  • Huwag dadalhin sa bahay aliwan sapagkat itoy mawawalan ng bisa.

BATI, GALAW NG MGA ELEMENTALS

Bakit tayo nababati o nagagalaw ng mga encanto o duwende at iba pang kauri nila? Sa salitang Bicol ang katumbas ng bati, ay galaw o alisbot. Sa ating cultura kahit sa panahon ito marami pa rin ang naniniwala sa galaw at sige pa rin sila sa pananakit sa ating mga tao samantalang hindi naman natin sila nakikita. Dapat nga raw sila ang umiwas sap...agkat sila ang nakakakita.

Marami ang nagaganap hinngil sa mga ganitong kaso. Nariyan nagkakaroon daw ng pasa sa katawan ang biktima dahil nabati ng mga elementals. Nakatuwaan lamang daw ng mga encanto ang pangungurot sa mga naging biktima.

Tulad nang isang pangyayari ng ang isang batang umakyat lamang sa puno ng bayabas, bigla na lamang nanigas ang katawan. Hindi na ito makahinga. Nakita na lamang ng Ina na parang nakasabit na lamang sa puno ng bayabas ang dalagita.

Kaagad silang tumawag ng albularyo makaraan maihiga sa papag si Lina. Pagkatapos itong tawasin sinabi ng albularyo na si Lina ay nabati ng nuno sa punso na may bahay sa puno ng bayabas. Kaya sinabi niya na sangayon sa matandang kasabihan na bago kumuha ng isang bagay lalo na sa mga bungang kahoy ay hihingi muna ng pahintulot sa mga nilalang na ‘di nakikita. At baka ito’y pag-aari ng isang encanto o may nakatirang elementals sa lugar na iyon.

Katal ang buong katawan ni Lina habang minamasahe ng albularyo sa mga daliri ng paa ng banal na langis, na galing pa raw sa sagradong bundok banahaw. Ilang sandali pa ay pinadapa ito at sa pagitan ng mga buto ay minasahe muli ng albularyo.

Nagduduwal ng malalapot na likido si Lina. Parang laway na sumargo sa bibig nito. Walang hinto ang paghagod ng albularyo sa likod ng dalagita.

Ilang sandali pa ay tumayo ang albularyo at dumako sa ulunang bahagi ng dalagita. Hinagilap ang pinakatuktok ng ulo ni Lina. Isang malalim na paghinga at unti-unting ibinuga iyon sa ulo ni Lina. Nag-alumpihit ang dalagita sabay pilig ng ulo.

Himalang biglang natigil sa panginginig si Lina at tuluyang napahiga nang tuwid. Sinuob ng insenso at kamanyang ang dalagita. Taka ang lahat dahil parang nagdahilan lamang ito. Sabi ng albularyo, pinarusahan umano si Lina ng nuno sa punso dahil sa walang pakundangang pag-hampas ng patpat sa puno ngbayabas. Ayon pa rin sa albularyo, Kahit sabihing luko-luko na wala namang kausap ay dapat lamang tayong mag paalam oras na nakikialam tayo sa mga puno o anumang bagay na nakatanim sa lupa. Kahit pabulong o sa isipan lamang ay gawin ito upang hindi matulad sa mga naging biktima ng bati, isang parusa ng mga hindi nakikitang encanto.

Totoo ba na ang mala-ngitim na pasa sa katawan, ay gawa ng bati ? Mayroon kaya itong siyentipikong kapaliwanagan ?

Maging ngayon panahon, marami pa rin sa tao kapag nakakita ng pasa sa katawan ang kaagad na iniuugnay sa bati ng mga elementals. Na sinasabing ang mga pasang maiitin ay kurot ng mga hindi nakikita at nakatuwaan daw ng mga encanto. At para h’wag lumalsa ang nasabing galaw, ito’y kanilang pinasusuob sa albularyo.

Gaano ito katotoo ? Bago natin bigyan nang tunay na kapaliwanagan ang bagay na ito, atin pansinin ang nasabing pangyayari. Karaniwan na ang nakararanas ng pasa ay mga babae, at bihirang-bihira ito sa lalake. At kung magkaruon man ng pasa ay paisa-isa. Ito ay laging nakikitang lumilitaw pagkaraan niyang pumunta sa banyo. Kapansin-pansin din na ito’y lumilitaw sa babae, bago o matapos niyang mag-menstration.

Sa bagay na ito namimili ba nang uri ang mga encanto? At mga babae lamang ang na gagalawan. Bakit ito lumilitaw bago kung hindi makalipas siyang datnan ng menstration? At isa pa kung galing lamang siya sa banyo o paliligo.

Kung ating mapapansin ang mga taong nagkakaroon o nakararanas nito ay mababa ang dugo. Ang kakulangan ng dugo sa katawan lalo na ng pulang dugo at pagiging anemic. Ang sanhi ng mga pasang ito, hindi yaon sinasabing galaw ng encanto. Inaakala nilang may encanto sa banyo at laging dito ito nagsisimula. Kahit nga hindi nakikita ng albularyo sinasabi niyang ang biktima ay nabati ng mga hindi nakikita. Ang kakulangan din ng dugo sa katawan ang sanhi para ang katawan ng tao ay magkaroon ng pasa na mala-ngitim dahil pagkatapos ng menstration ng babae ang dugo niya’y nagkukulang ng hangin o oksigeno. Ang lamig na dulot ng tubig ay nagkakaroon ng re-action sa ating kalamnan na kulang sa oksigeno, dahilan nang pangingitim nito.

Kaya sa susunod na makakita kayo ng pasa sa inyong katawan, alam na ninyong hindi ito kagagawan ng mga elementals na ginagawang sangkalan ng mga albolero, para lamang kumita kahit salat sa tunay na kaalaman sa metapisikong paggagamot.